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中华即拍:明代唐寅仕女图(执扇)

时间:2020-01-03 00:51:20   来源:未知

唐寅字伯虎,更字子畏,号桃花庵主,鲁国唐生,逃禅仙史,南京解元,江南第一风流才子等。晚年信佛,有六如居士等别号。吴县(今江苏苏州)人。生于明宪宗成化六年(1470年),卒于明世宗嘉靖二年(1523年)。“明四大家”之一唐寅,被誉为明中叶江南第一才子。他博学多能,吟诗作曲,能书善画,经历坎坷。是中国绘画史上杰出的大画家。

Tang Yin, Bo Hu, Geng Ziwei, Taohua nunnery, Tang Sheng of Lu state, history of escaping from Zen, Jieyuan of Nanjing, the first talented person in Jiangnan, etc. In his old age, he believed in Buddhism and had the nickname of "six monks". Wu county (now Suzhou, Jiangsu) people. He was born in the sixth year of Chenghua (1470) of Xianzong of Ming Dynasty and died in the second year of Jiajing (1523) of Shizong of Ming Dynasty. Tang Yin, one of the four great masters of the Ming Dynasty, is known as the first talented man in the south of the Yangtze River in the middle of the Ming Dynasty. He is erudite and versatile. He can recite poems and compose music. He is good at painting and calligraphy. He has experienced ups and downs. He is an outstanding painter in the history of Chinese painting.

 

【藏品名称】:明代唐寅仕女图(执扇)

[collection name]: picture of Tang Yin's ladies in Ming Dynasty (holding fan)

 

唐寅的人物画,大致未逾南宋人物画的格局。表现在体貌上有两种。一是意兴潇洒,远笔如行云流水,出自南宋梁楷、法常,并具有元人气息的如《东方朔偷桃图》、 《秋风纨扇图》。另一为线条细劲,敷色妍丽,气质高华,出白南宋院体的有《孟蜀宫伎图》、《簪花仕女图》以及这幅仕女图。

Tang Yin's figure painting generally did not surpass that of the Southern Song Dynasty. There are two kinds of physical appearance. First, it is free and unrestrained, with a long writing style like running clouds and flowing water. It comes from Liang Kai and FA Chang of the Southern Song Dynasty, and has the flavor of Yuan people, such as the picture of dongfangshuo stealing peaches and the picture of Qiu Fengwan fan. On the other hand, it has fine lines, beautiful colors and high temperament. There are "the painting of Meng Shu palace opera", "the painting of hairpin flower lady" and this painting of lady in the court of the Southern Song Dynasty.

 

此幅唐伯仕女图,美女的工笔设色巨画,其构思设想大胆,创意细腻,人物优美,笔墨功底一流,原浆老墨用敦辉之墨,其千年不掉,原装老裱,安徽晋县之产,孤品再现,收藏大观,名师点评.

This picture of Tang Bo's ladies is a giant painting of fine brushwork and color setting of beautiful women. It is bold in conception, delicate in originality, beautiful in character, first-class in brushwork and ink skills. The original ink is dunhui ink, which has been used for thousands of years. It's original old mounting, a product of Jin county, Anhui Province. It's unique in reproduction, collection and comments by famous teachers

 

整幅仕女图图绘高髻簪花女子,或站立或侧卧露出无限眷惜之意,一切都是那么的自然,恰到好处,非常的融合。仕女形象娟秀端丽,眉目和发髻钩勒精细,晕染匀整,具北宋李公麟圆细流利之笔;衣纹线条遒劲畅利,又吸取南宋李唐及元人刚健方折的笔法,具有刚柔相济,工写并用的特点,创明代仕女画的新典型。唐伯虎一生也画过不少虎的作品,像《卧虎图》《下山虎图》等,仕女千姿百态.体态丰盈,举止有安详之态,头部勾勒精人晕染匀净,似富贵人家少妇。画脸、手等处流丽圆畅,而衣裙、披肩、腰带则以飘举方折之笔出之,这种方圆兼施富有对比的笔法,增强了这位少妇轻移莲步的动态美。设色浅淡清雅,而披肩和花草的叶子却用浅浅的蓝色,两色相映衬,使画中人愈加显得明丽可人。更为惊奇的是把字画放大以后,仕女之前披着的纱消失不见,好似裸体一样,足以说明唐寅的这幅画达到了画艺的顶峰.唐寅一生仕途不顺,老婆去世之后对美女看的很重,说明他雄心未遂,艺高人俊,宁愿被美女踩在脚下,任她去宠去爱。

The whole picture of a lady with a hairpin in a high bun, or standing or lying on one's side, shows infinite affection. It's all so natural, just right and very integrated. The image of a lady is beautiful and elegant, with fine eyebrows and bun, even and smooth halo dyeing. It has the fine and fluent pen of Li Gonglin of the Northern Song Dynasty. The lines of clothes are strong and smooth, and the strokes of Li Tang and Yuan people are absorbed. It has the characteristics of combination of hardness and softness, and combination of work and use, creating a new model of the painting of a lady in the Ming Dynasty. Tang Bohu has also painted many tiger works in his life, such as the painting of lying tiger and the painting of going down the mountain tiger. The ladies are of various shapes. They are full-bodied and have a peaceful manner. Their heads are well-defined, and they are like rich young women. The painting of face, hands and other places is beautiful and smooth, while the dress, shawl and belt are made with the brush of floating square fold. This kind of square and round brush technique is full of contrast, which enhances the dynamic beauty of the young woman's light lotus step. The colors are light and elegant, while the shawl and the leaves of flowers and plants are light blue. The two colors set off each other, making the people in the painting more beautiful. What's more surprising is that after enlarging the calligraphy and painting, the gauze before the lady disappeared, just like naked, which is enough to show that Tang Yin's painting reached the peak of painting art. Tang Yin's career was not smooth all his life. After his wife died, he was very heavy on the beauty, which shows that he was ambitious and had a good talent. He would rather be trampled by the beauty and let her love him.

 

唐寅作品由于年代久远已经存世不多,此唐寅仕女图(执扇)以前多散传于民间,解放后各大博物馆多注意收藏,但流入海外亦多。从80年代末始,世界两大拍卖行开始经营出售其作品。由于他在人们心 中有很高的知名度,所以许多人愿意花重金收藏其作品。

Tang Yin's works have not existed for a long time. This picture of Tang Yin's Ladies (holding fans) was widely spread among the people before. After the liberation, many museums paid more attention to collection, but also went abroad. Since the late 1980s, the world's two major auction houses began to sell their works. Because of his high popularity in people's mind, many people are willing to spend a lot of money to collect his works.

 

 

 

 

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